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	<title>Amritaayanam &#187; Music</title>
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		<title>WHAT IS CARNATIC MUSIC? (Part 1)</title>
		<link>http://www.amritaayanam.com/2010/09/16/what-is-carnatic-music-part-1/</link>
		<comments>http://www.amritaayanam.com/2010/09/16/what-is-carnatic-music-part-1/#comments</comments>
		<pubDate>Thu, 16 Sep 2010 09:13:22 +0000</pubDate>
		<dc:creator>munshi</dc:creator>
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		<category><![CDATA[Music]]></category>
		<category><![CDATA[carnatic]]></category>
		<category><![CDATA[music]]></category>

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		<description><![CDATA[Carnatic music reigns over the Southern-States of India: Kerala, Tamil Nadu, Andra Pradesh and Karnataka. An attentive reader will observe the resemblance of the latter with our subject: Carnatic music. Indeed, it seems that this style got its origin in the southern state of Karnataka. If one knows that India is as big as Europe,&#8230;]]></description>
			<content:encoded><![CDATA[<p>Carnatic music reigns over the Southern-States of India: Kerala, Tamil Nadu, Andra Pradesh and Karnataka.<br />
An attentive reader will observe the resemblance of the latter with our subject: Carnatic<br />
music. Indeed, it seems that this style got its origin in the southern state of Karnataka. If<br />
one knows that India is as big as Europe, without former Russia, its obvious that different<br />
languages, cultures will occur all along this territory and put its mark on the arts and<br />
culture.<br />
A major difference between Hindusthani and Carnatic states is, that Hindusthani states<br />
use the Devnagari script, while the Carnatic states use a Dravidian (Tamil, Telugu,<br />
Malayalam) script! Although being a &#8220;Indian&#8221; entity, multiple differences in society,<br />
culture, food and traditions are prevailing.<br />
Some famous &#8220;Dakhini&#8221; musicians are: T.N.Krishnan (violin), E.Gayathry (veena),<br />
Balmurali Krishnan (vocal, violin), Vikku Vinayakram (ghatam)&#8230;. Musical instruments:<br />
Karnatic violin, veena, nadaswaram, ghatam, mridangam, tavil&#8230;<br />
The musical forms in South-India are in origin, for vocal use.<br />
Then, these compositions are also used for various instruments adapting the songs into<br />
their musical and technical possibilities.<br />
Music is available in two different structures:<br />
Music for educational use and music meant for the concert platform. ( abhyasa gana and<br />
Sabha gana )<br />
The &#8216;SOUNDS&#8217; of a raga<br />
1) Aesthetically chosen pre-designed sequence of sounds.<br />
2) Presented in a ascent and descent order ( aroham, avaroham )<br />
3) Consisting of a minimum of 5 and a maximum of 7 different &#8220;sounds&#8221;.<br />
4) Having a pivotal sound in each tetra chord: the vadi and the samvadi.<br />
5) Sometimes provided with a &#8220;vakra&#8221; feature. A pre designed &#8216;motif&#8217;.<br />
6) Ornamented with a set of embellishments: gamakas, and with deviating sound pitches<br />
for one or more swaras. (sounds, notes.)<br />
7) Starting on a pitch that is comfortable for vocal or instrumental performer.<br />
 <img src='http://www.amritaayanam.com/wp-includes/images/smilies/icon_cool.gif' alt='8)' class='wp-smiley' /> After the free rhythm alapana immediately comes a preset composition, enveloping the<br />
percussion</p>
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